"JAVED NAMA", " FALAK_E MUSHTARY" IN THE CONTEXT OF INTERTEXTUALITY

’’جاوید نامہ‘‘، ’’فلکِ مشتری‘‘ بین المتونیت کے تناظر میں

Abstract

No genius of era comes into existence suddenly, rather, it is a journey of centuries step by step,  and new discoveries continue to be made with each step. Many great artists transcend time and become lost in a single,  comprehensive artist, then his voice becomes the voice of all of them and also has it's own distinct identity.  This is the meaning that emerges when "Javednama " is viewed in the context of intertextuality. A great artist is not just a bearer of traditions of the past, but rather his individuality strengthened by his new creative style. In "Javednama " Iqbal has travelled the skies with " Pir_e _Room .Iqbal feels lonely in vast spaces. He is desperate in the pain of separation and even proud of it.Iqbal wants to unveil the secrets of life and the mysteries of the universe. On the planet Jupiter, Iqbal meets Mansoor Hallaj, Mirza Ghalib and Qurat_ul_Ain Tahira. These three souls are not content  with the glorious paradise, they are constantly on the move. Iqbal likes Mansoor Hallaj's spiritual approach, Mirza Ghalib's rich imagination, and Qurat_ul_Ain's courage and boldness. The intellectual and textual efforts of all of these are visible in Iqbal's thoughts and art. The presence and guidance of Maulana Rumi is also evidence of intertextuality. Finally "Iblees" appears, looking for "Mard_e Momin" . Iqbal studied Nietzsche's texts in depth and was influenced by him. Although Iqbal's theory of "Mard_e Momin " is not influenced by Nietsche,however Iqbal was overall influenced by him.This article attempts to look at "Falak_e Mushtary " in the context of intertextuality.